The Epson Pro Cinema 4050 is built around the original version of Epson's approach to pixel shifting, which uses three 1080p LCD chips-one for each primary color. + Brightness drop from 2D to 3D is less than most projectors' + Three-chip LCD design guarantees no rainbow artifacts + Powered lens with memory for easy aspect ratio switching and placement flexibility + Epson's 4K Pro-UHD essentially matches the detail of true-4K res + Checks all the image-quality boxes: color accuracy, contrast, shadow detail, black level and more Epson Pro Cinema 4050 4K Pro-UHD Projector It doesn't support 3D, however, so if you're looking forward to seeing Avatar and its sequels at home in 3D, you'll need to look elsewhere. It's also bright enough to serve in a family room, particularly if you plan to watch movies with lights off at least occasionally. However, even less-demanding viewers will notice the bump in image quality compared with most affordable 4K models, making it a good home theater projector for anyone. The LS12000 is the projector to beat for serious videophiles who plan to put it in a home theater with dark walls, ceiling, and seating to minimize reflections back to the screen. Most important, it also offers top-tier color accuracy, contrast, and shadow detail, and it will let you easily adjust the lens to give you the same image height when switching between movies with different aspect ratios. The result is more detail than we've seen from any of Epson's earlier models or from any pixel-shifting 4K DLP projector.Īn added benefit over DLP models is that because the image is produced by three LCD chips, it can't show rainbow artifacts-the red-green-blue flashes that single-chip projectors are prone to. The LS12000 maintains the reliance on top-quality lenses and processing while also boosting the pixel count to a full 3,840 by 2,160. Thanks in large part to video processing and lens quality, those less expensive Epson models deliver images that are virtually indistinguishable from a true 4K UHD picture- particularly one produced by pixel-shifting DLP models-while using only half as many pixels on screen. Below, we'll first cover our favorite models for common projector applications, choosing from among the projectors we've reviewed, then cover the issues you should consider when choosing a 4K model.ĭespite its high price, the LCD-based Epson Pro Cinema LS12000 is a near-bargain for the image quality it delivers, and it's a solid step up from Epson's less expensive models that also use pixel-shifting. And some-display technology, light source, audio, and input lag-are essentially the same as for any other projector. Others, such as brightness and portability, need to be considered differently with 4K versus lower resolutions. What are the issues to look at for 4K projectors? Some features were newly introduced along with 4K, notably support for high dynamic range (HDR) imaging, and a different approach to native resolution. ![]() But that's not going to happen anytime soon. But if you choose carefully, you'll have a big-screen image you'll love-at least until 8K becomes the norm. If you're shopping for a 4K model, you need to know that some issues shake out a little differently than they do with 1080p and lower resolutions, and some new factors come into play, too. ![]() So while 4K resolution (3,840 by 2,160 pixels) has long since taken over as the standard for flat-screen TVs, 4K projectors are only now approaching and even dipping below $1,000 to reach the sweet spot as consumers' preferred resolution. When TVs, desktop monitors, and even laptops embrace more pixels at lower prices, home theater and office projectors follow, but often lag in affordability.
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